Archives: Art

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Tea and Light: A Lunch Hour with Laura Hughes

Laura Hughes began teaching at Marylhurst in 2010 as an adjunct professor for our department of Art and Interior Design. At the beginning of this month, she was highlighted at our Faculty Tea for her previous and current art installations.

Hughes plays with light and color as they already move through and exist in a given space.Currently she has an installation in the skylights of the Hawthorn Commons Room, right next to the cafeteria. Her piece there is called Angles of Incidence, and it involves stripes of colored gel paint in the skylights to play with the natural projection of the light that filters into the room.

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My True Passion

By David Walker After more than a year in development, and several decades of wishful thinking, it was announced that I am writing the upcoming “Shaft” comic book series for Dynamite Entertainment. “Shaft” was originally written by Ernest Tidyman, who followed with six other books and a popular series of films in the 1970s. Translating […]

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David Walker: “The Invisible World of Black Comic Creators”

David Walker is a recent Marylhurst graduate and an accomplished creator.

“I got my degree in Interdisciplinary Studies, with concentrations in Cultural Studies and Text: Image.” Writes Walker. “Currently, I’m working on my second novel, and writing comic books. I have two series out right now, The Army of Dr. Moreau and The Supernals Experiment, and several other top secret projects that will be announced soon.”

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From beginning to beginning again

by Donna D’Orio I do not remember a time when I was not drawn to utilitarian, traditional art forms. The texture of handwoven dishtowels, crockery bowls out of kilns from Kentucky and North Carolina, and hand-hewn axe blades were part of my everyday childhood world. It did not go by me unnoticed, the difference, when […]

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Designing for an inn at the corner of the earth

Reiko Igarashi, interior design faculty at Marylhurst University, designed laser-cut hangers for the boutique Fogo Island Inn. This unique bed-and-breakfast resides on Fogo Island, which lies off the coast of Newfoundland, Canada, and plans to open in summer 2014. How did she come to be a part of this design project? And what was that […]

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The restorative aspect of kinetic art

by Candyce Scott Most people have experienced a feeling of elation in listening to music or watching the surf from the beach. There are visual experiences — such as watching a vibrant sunset or gazing at a beautiful piece of artwork — that causes an emotional response. These responses, in and of themselves, can be […]

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7 Days of Art

Countdown Day #2 Noelle Winiecki | Sculpture studio We’re counting down the days until our 2013 BFA Thesis Exhibition. Watch across social for behind-the-scenes photos of our BFA candidates and their artwork.   UPDATE: You can find all behind-the-scenes photos on our Pinterest board.

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The Irish language: hope through the words of a poet

by Ger Killeen

This is an excerpt of a talk given by Killeen at the annual Irish Language Day at Marylhurst University, May 18, 2013.

One of the most thumbed-through of the books I own in the Irish language is a dictionary: An Irish-English Dictionary compiled and edited by The Rev. Patrick S. Dinneen in 1904. I have other Irish-English dictionaries which are more useful to me than Dinneen’s, dictionaries that are printed in standard Roman type, unlike Dinneen’s which retains the half-uncial lettering and unreformed spelling in which Irish was written for centuries; dictionaries which have kept up with the times and can tell me the Irish words for “injection mould” and “file transfer protocol”; dictionaries laden with all the serviceable, civil service-concocted words necessary for communicating the intricacies of the bureaucratic machinery running the modern Irish state. These are all valuable dictionaries in their own right, and I depend on them almost daily. But I don’t love them the way I do Dinneen’s; I don’t take as much pleasure in them; and they are not nearly as heartbreaking.

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Short Sands Serenade

by Adam Graves As I scrape off and revise another area of the painting, I am reminded of the phenomenological dialogue I have engaged in with this image, the subject, the materials, and the place. Revising is an attempt (sometimes desperate) to bring more truth to the dialogue. Sometimes it takes a big move or […]

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